Adobe premiere pro cs6 mac2/26/2024 However, if you decide to spread your work out and “scratch pad” elements in time without magnetism, a keystroke puts you in “position” mode and you can do that. When your goal is quick assembly or rapid scene re-ordering – or if you’ve built complex connected-clip relationships and want to move them as a single unit – magnetism rocks. For most of us, the moment you “get it” it just becomes a normal part of your life. Pretty much everyone has to learn bike riding through a bit of practice. I think the magnetic timeline is the editing equivalent of a bicycle. Clients will enjoy not having to wait for you to do multiple replace edits, or undo/redo over and over, or turn clips on and off repeatedly. This way we can Audition several different versions of an edit quickly, easily and save a lot of time. As we chose a specific asset it takes that place in the Timeline. We can place several assets in one place in our Timeline, then open the Auditions window to scroll between each asset. Unless you purposefully move it out of sync.Īn amazing new feature is called Auditions. With this Story Line and Connected Clips paradigm, nothing can possibly go out of sync, ever, at all. It's a new way to work, and some editors are finding it very comfortable. This makes for a more compact and easy to work with Timeline. If a Connected clip is deleted or moved, other Connected clips above automatically come down to fill in the gap. These Connect to specific clips inside the Story Line. Everything else will be cutaways, text, composites, sound effects, music, etc. FCPX assumes that your core story telling media is in the Story Line. Otherwise they are timed by In points.) Connect edits are another new concept. Using the Shift key along with the edit keys will back-time clips. (These are traditional three point edits. If you can remember Q, W, E, you're pretty much there. All of these elements act and look like tracks, but are much more dynamic, intelligent and easier to deal with.Įditing has been simplified with Append, Insert, Connect, Overwrite, and Replace commands, and very simple keyboard shortcuts. It also makes replace edits for filling them in very easy. A Gap Clip is a slug that we can ripple and roll with neighboring clips. This Story Line has unique characteristics, such as there can be no empty spaces this is handled by Gap Clips. There are no blatant "tracks," but we do have a track-like structure. Sorry in advance if I seems to be lazy, but I'm going to quote a couple of guy who explained it extremely well: But I can say that my rendering in Adobe Premiere Pro is pretty quick (I'm on a Windows i7 quad core 2.2 ghz with 16gb ram). Thought I heard it didn't, but they seemed to be doing a lot of updates, so maybe that's been added.īack to original post, which was about speed and rendering. Not sure if FCPX supports exporting out audio for editing. You get Premiere Pro, Audition, After Effects, SpeedGrade, Photoshop, just to name a few. I've been on it for a few months now - everything runs smooth, no problems. Anyone interested in Adobe should definitely check out creative cloud. You get 15-20 different Adobe programs.all for $50/month.$30 if you're a student or teacher. Adobe's Creative Cloud is an insanely good deal. Is this the case for you? Is it quicker? Somehow a better flow for creative editing? Would be interested in your thoughts and experiences about is right. But then I didn't really hear anything like that from the users. Let's use this as a starting point and see if we get somewhere.I remember hearing that FCPX was supposed to "transform the way we edit.making it quicker.and more in line with creative decisions/flow". With this setup, I'm able to view output on both hdmi and component monitors. I always click on, "Keep existing settings". I drop it into the new sequence and Premiere tells me my clip does not match sequence settings. In the Premiere Sequence settings, I set it up as Blackmagic Design->HD1080->8 bit YUV->Interlaced->59.94i.įootage is from AVCHD shot at 1920x1080 at 23.976p. I know other drop down options would put both monitors out of sync thus no video output. Under the Apple symbol system preferences I have my BMD "Set default video standard as" HD1080i 59.94. I am able to see video output to both monitors. I initially used Desktop Video 9.7.2 but was having latency issues in Premiere so I reverted to 9.6.9. Video output via hdmi to LCD and component to Sony Broadcast CRT monitor. Here is my setup before responding:Ģ012 Macbook Pro, MacOS 10.8.3, Adobe Premiere 6.0.2, Intensity Shuttle Thunderbolt v. Let me see if I can help resolve this since BMD is slow in responding.
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